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Inspired by his obsession with Wendy Carlos’ “Switched on Bach”, Arandel’s new opus, ‘InBach’, pays a poetic, infinitely respectful and innovative homage to JS Bach’s sacred workings. Born out of a proposal by the Musée de la Musique (Paris), the aim was to use the extraordinary but often hibernating historical instruments housed in the museum, mixed with vivid, contemporary music. In the immensity of Bach’s oeuvre, in the company of his fellow wanderers (Areski Belkacem, Emmanuelle Parrenin, Barbara Carlotti, Gaspar Claus, Vanessa Wagner, Ben Shemie and more), within the constraints of historical instruments, emboldened by the delightful, sometimes technically dangerous friction between acoustics and electronics, Arandel walks a tightrope without a faux pas.

Listen here.


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