Psychedelic meets electronic. Sunday June 22nd 2014 saw a new version of THE TRIP, the first collaboration of Jeff Mills with Androide Light show, a veteran from the psychedelic 70s. They played to a packed Royal Festival Hall in London, during James Lavelle’s Meltdown festival.
booking pascal [a] julietippex.com
Composer, guitarist and electronics innovator Richard Pinhas is recognized as one of France’s major experimental musicians. A pivotal figure in the international development of electronic rock music, Pinhas’ stature in France is analogous to Tangerine Dream’s in Germany: the father figure of an entire musical movement.
The pioneering, aggressive music produced by his band Heldon during the 1970s, fusing electronics, guitar and rock, heralded the industrial and techno to come and remains today vital and unsurpassed. The ‘Father’ of electronic music in France is also recognized as a world-class guitarist whose “diabolical guitar work” (Progression) earns comparisons with Robert Fripp.
Pinhas returned to music with a vengeance in the 1990s after spending much of the 1980s away. Beginning with DWW (1992) on Cuneiform Records, his numerous releases included projects with Peter Frohmader, John Livengood, Scanner, Pascal Comelade, Etienne Jaumet, Oren Ambarchi, Lasse Marhaug, Noel Akchote, Eric Borelva, and his son, Duncan Nilsson as well as solo works. He also resumed performing.
Since the ’90s, Pinhas began developing a system of electronic processing to use in performing live solo guitar concerts. Experimenting with tape loops and infinite delays, he expanded, transformed and even transcended the “Frippertronics” technique his friend Fripp used in his work with Eno, and “developed a set of personal parameters that stand on their own legs, his looping strata giving birth to interlocking patterns, chordal waves and even harmonic movements…” [Touching Extremes].
Richard is back from a 2 week tour in the US. He will soon be touring again in Japan. He is available for shows and festivals in Europe
Richard is available for solo shows or with his band.
Please send offers to: pascal [a] julietippex.com
We recently asked Stuart Moxham if Young Marble Giants ever played in Manchester and Glasgow back in the early 80′s: “We played Manchester – at The Hacienda – but not Glasgow. We were supported by the Thompson Twins in Edinburgh and Stirling.”
So here is – at last – your chance to attend 2 historic shows:
These are 2 Julie Tippex shows
We are super happy to share the new ‘aMAZing’ video of Trans Am feat. Nathan of Trans Am drinking water..
“This week, Trans Am released their tenth album, appropriately titled Volume X in the U.S., Japan and Australia – get hold of it at their label Thrill Jockey’s website here. For UK and European fans, the record will be out on August 11 – but fear not, the Maryland trio haven’t neglected us: today, they’ve announced a European tour, starting up in November, and marked the news with the video for ‘I’ll Never’, a crystalline chunk of mirrorball melancholy, which includes some of the finest drinking of water committed to celluloid we’ve seen. Cast your eyes over director Adam Heathcott’s handiwork above, take a look at the tour dates below and get details of their American shows, which continue at The Black Cat in Washington, D.C. tonight, at the label’s website..”
taken out from the Quietus.
EURO/UK NOVEMBER SHOWS
Sat 8 – Electrowerkz, London
Sun 9 – Belgrave Music Hall, Leeds
Mon 10 – Ruby Lounge, Manchester
Tue 11 – Green Door Store, Brighton
Wed 12 – De Kreun, Kortrijk, Belgium
Thu 13 – Le 106, Rouen, France
Fri 14 – Le Romandie, Lausanne, Switzerland
Sat 15 – Les Trinitaires, Metz, France
Mon 17 – Hafenklang, Hamburg, Germany
Tue 18 – Baustelle Schauspiel, Leipzig, Germany
Wed 19 – Berghain Kantine, Berlin, Germany
Sat 22 – Beursschouwburg, Brussels, Belgium
Sun 23 – Paris, France
Booking >> Etienne AT julietippex.com
Call for Papers International Symposium
Disorder: Towards a social history of punk and post-punk
University of Paris Diderot
With University of Chicago Paris Center, University of Versailles Saint-Quentin, New York University Paris
Friday 3 – Saturday 4 April 2015
Punk and Post-Punk: two movements that emerged in the mid to late seventies, the latter supposedly born from the ashes of the former, with the golden age of Post-Punk lasting till about 1984. The sheer number of new bands was staggering, and hundreds upon hundreds have made a name for themselves (Sex Pistols, Siouxsie and the Banshees, PIL, Gang of Four, Slits, The Pop Group, Père Ubu, Lydia Lunch, Einstürzende Neubauten, Dead Kennedys, Kas Product, Die Form, Magazine, Joy Division, John Foxx, Virgin Prunes, Bauhaus, UK Decay…). The degree of experimentation was likewise bewildering. All the arts were impacted, perhaps more especially in Britain. There were themes that had not been aired before in the music industry.
These movements have been written about in specialised or general-interest publications (Simon Reynolds, Rip It Up and Start Again: Postpunk 1978-1984—these dates can of course be debated), but they have not been the subject of very much academic research.
The time is ripe to reflect upon these “expressive moments” in relation to the socio-political climate in which they emerged. The social sciences provide methodologies and tools: ethnography of the audience, the writing of social history, studies of artist/media relations, quantitative and qualitative studies of economic exchange, such as indie labels, distribution networks, advertising and communication strategies, etc.
The Punk/Post-Punk movements were steeped in the socio-political environment, especially because their audience was young, and their formulas (lyrics and “attitude”) are to be observed in relation to the social sphere. Their impact, if impact there was, needs to be complexified. We need to deconstruct all these notions before we can reassess any impact, image, or history. What reading can be given of these movements looking back at them? Was/were the movement(s) homogeneous? Do the chronological accounts stand up to scrutiny? Did the participants really have “agency”? Or are we, in retrospect, faced with a history in fragments, a series of isolated responses to economic situations, and individual political reactions to the social order? Was there radical change or continuity in either of the movements, musically or otherwise? Finally, is the temporality inherent in the term “Post-Punk” useful, or should other denominations prevail?
The conferences and discussion panels will concentrate on three main themes (the topics listed below are not exhaustive):
I. PUNK/POST-PUNK AND SOCIETY
- The media and spheres of influence: who says what is Punk/Post-Punk?
- Commitment and provocation: Politics or posing?
- The real impact on society (then and now)
- Art-school punk vs. street punk
II. PUNK/POST-PUNK AND IDENTITIES
- Aesthetics and politics of Punk/Post-Punk identities in contrast to established norms
- Expressions and production of marginality: sexuality, gender, race, ethnicity, social class
- Case studies of fan movements (fragmentation of the periods, of the public, etc.)
- Self-made fan-identity vs. the identities fabricated by the Majors: fashion, artifice and commerce of Punk/Post-Punk image making
- Importance of the home-made/hand-made in the construction of identities
- The effects of financial success
III. RESURGENCE OF PUNK/POST-PUNK AESTHETICS: CONTINUITIES AND DISCONTINUITIES
- Punk, Post-Punk and aesthetics: contemporary art (Throbbing Gristle, Test Dept, etc.)
- Punk/Post-Punk: nostalgia and posterity (1990-2015)
- Why the “Post-” in “Post-Punk”?
No limits will be placed either chronological or geographical.
Languages: conference papers and discussions may be in English or French.
Proposals to be submitted before 15 September 2014 and sent to
Submissions to be no more than one page long, and to include between three and five bibliographical references as well as a CV/résumé.
Papers must be original and unpublished.
Those papers selected for publication must be sent on or before 31 March 2015.
Conferences will be 20 minutes long, followed by 10 minutes of discussion.
Organizers: Paul Edwards, Élodie Grossi, Paul Schor.
Crédit photo / © http://photointhebook.com/
Hi Girlz, Boyz!
Chicago band DISAPPEARS will be back for a short Euro tour next week starting in Orléans (FR) on May 27. they’ll play a couple of nice shows with: Slint, Nisennenmondai, Lee Ranaldo & The Dust..
do NOT miss them! and also check their last LIVE ON KEXP !
DISAPPEARS (US – Kranky)
27/05/2014 FR Orléans – Astrolab
28/05/2014 FR Tours – Temps Machine w/ Nisennenmondai
29/05/2014 LU Luxembourg – Exit07 w/ Nisennenmondai
30/05/2014 FR Strasbourg – Le Troc Café
31/05/2014 FR Lyon – Festival / Nuits Sonores w/ Lee Ranaldo & the Dust, Wooden Shjips
01/06/2014 IT Milan – Bloom w/ Slint
02/06/2014 IT Padova – Festival / Summer student festival / Je t’aime
03/06/2014 IT Ravenna – Festival / Beaches Brew w/ Lee Ranaldo & The Dust
04/06/2014 CH Lausanne – Le Romandie
05/06/2014 NL Utrecht – Tivoli w/ Slint
06/06/2014 NL Amsterdam – Paradiso
07/06/2014 NL Eindhoven – Psych Fest w/ Nisennenmondai
Booking >> Etienne at Julietippex . com
Lee Ranaldo & the Dust will hit the road at the end of this week for a 2 weeks tour in Europe including Primavera Barcelona Festival, Optimo Porto Festival, Nuits Sonores Festival, Beaches Brew Festival.. All the dates below..
the right moment to premiere their new short film video on track ‘Blackt Out’ taken from last album ‘Last Night on Earth’ out since Oct. 2013 on Matador.
LEE RANALDO AND THE DUST
25/05/2014 BE Kortrijk – De Kreun
26/05/2014 BE Antwerp – Trix
27/05/2014 FR Paris – La Machine du Moulin Rouge
29/05/2014 FR Nîmes – This is not a love song / Paloma
30/05/2014 SP Barcelona – Primavera Festival
31/05/2014 FR Lyon – Nuits Sonores festival w/ Disappears, Wooden Shjips
01/06/2014 IT Padova – Festival / Summer student festival / Je t’aime
03/06/2014 IT Marina di Ravenna – Beaches Brew Festival / beach
04/06/2014 IT Bolzano – Sudwerk
05/06/2014 DE Schorndorf – Manufaktur
06/06/2014 BE Arlon – L’Entrepot
07/06/2014 PT Porto – Optimo Primavera Porto / Optimo Festival
Lee Ranaldo and his wife Leah Singer will also perform SIGHT UNSEEN at Art Festival in Iceland – Reykiavik.
24/05/2014 IS Reykiavik – Art Festival / Harpa Silfurberg
Booking – Etienne at julietippex.com
Attention Europe promoters and venues: we at Julie Tippex are now booking Glenn Branca’s Ensemble October 2014 Tour. The group is 4 guitarists, 1 bass player, 1 drummer and Branca conducting. They will premiere ‘Ascension #3′, the lattest version of his seminal work from the early 80s. And if this is not huge enough get this: Thruston Moore is available to join these shows. Branca and Moore so enjoyed their show together at La Machine in Paris early this year that they want to play again. How about that for a double bill? Please send offers to pascal [a] julietippex.com
Fenster just released a new video for their track Cat Emperor, taken from their second album The Pink Caves (Morr Music / Mars 2014). After selected german shows in February and a month long US tour, they are embarking on a new European tour next week. Watch this amazing video shot back in January in New York City and check out tourdates below, they might come to a town near you …
13.05. Hannover — Cafe Glocksee (DE)
14.05. Gent — Vooruit (BE)
15.05. London — Birthdays (UK)
16.05. Amsterdam — De Nieuwe Anita (NL)
17.05. Paris — Espace B (FR)
18.05. Luxembourg — Carré Rotondes (LU)
19.05. Nancy — Quai’son (FR)
20.05. Grenoble — Centre d’art Bastille (FR)
21.05. Lausanne — Le Romandie (CH)
22.05. Lyon — Le Sonic (FR)
24.05. Nantes — Stereolux | Festival Indigènes (FR)
25.05. Angers – Joker’s (FR)
28.05. Dijon — Alchimia (FR)
29.05. Esslingen — Dieselstrasse | Young River Festival (DE)
30.05 Mannheim – Maifield Derby (DE)
31.05. Giessen — Kupferschmiede (DE)
01.06. Bielefeld — AJZ (DE)
06.06. Wien — Rhiz (AT)
07.06. Innsbruck — Oscar Kocht (AT)
10.06. Italy — TBA
11.06. Italy — TBA
12.06. Italy — TBA
13.06. Lugano – Spazio Li (CH)
14.06. Luzern — B Side Festival (CH)
15.06. Ulm — Kradhalle (DE)
16.06. Bamberg — Morph Club (DE)
01.08. Burg Friedland — Jenseits Von Millionen (DE)
More tourdates TBA.
Now on booking for october / november 2014 : firstname.lastname@example.org
Australian noise pop duo CIVIL CIVIC has been touring a lot since 2010 and are working for some time now on their second album (debut album RULES released in 2011). It takes time and money, so you can already pre-order the upcoming album and help them finish it !
After two years of trial and error, gnawing doubts and sudden breakthroughs, all the hair-pulling and chin-rubbing and lost sleep and fist-fights, our second LP is taking solid shape.
It’s a big, ballsy expansion and escalation of the sonic turf we staked-out on our 2011 debut “Rules”, with more high-emotion and destruction and joy and carnage. Even at this stage, with the long and punishing mixing process ahead of us, we’re already scared of the results.
This thing is going to give people brain tumors (the awesome kind). All we wanted to do was make a jaw-droppingly awesome record, not some sort of hyper-music-weapon that gets us “black-bagged” in our sleep and end up working for the C.I.A.
But in the mean-time, you can not only secure yourself an advance copy of this potentially fatal disc but also make a vital contribution to it’s completion.
We’ve always been an unsigned, self-funded outfit, and we’ve already cleaned ourselves out on this thing, down to the last “clam”. So now we desperately need some “scratch” to fund the mixing and mastering process. Every penny will go into making this record sound fuuuuucking amaaaazing!
So if a fuuuuucking amaaaaaaazing CC album is something you feel you can get behind, please order your copy here, NOW, while we’re still alive and at large and ready to finish the job.
Sincerely yours, with love and affection,
Aaron and Ben
Now on booking : August & September 2014 (central and south Europe)
Get in touch : email@example.com
Very excited to announce ZOMBIE ZOMBIE first US TOUR
26 Apr 2014 Washington, DC Comet Ping Pong (en partenariat avec le service culturel de l’Ambassade de France)
27 Apr 2014 Brooklyn Glasslands
28 Apr 2014 Richmond Strange Matter
29 Apr 2014 Chapel Hill Night Light
30 Apr 2014 Athens, GA Caledonia Lounge w/ Cult of Riggonia, New Sound of Numbers
01 May 2014 New Orleans, The Saint
03 May 2014 Austin Psyche Festival
06 May 2014 Los Angeles Think Tank Gallery
07 May 2014 Stanford Stanford U, Palo Alto KZSU Live Radio Appearance
08 May 2014 San Francisco GAMH
09 May 2014 Santa Cruz Crepe Place
10 May 2014 tba
11 May 2014 Santa Ana, CA Psycho De Mayo festival
Figure de la musique électronique des Seventies françaises, Pinhas a joué de la guitare et des synthés avec son groupe HELDON mais aussi avec Noel Akchoté, MERZBOW, Oren AMBARCHI ou Pascal Comelade. Il a également collaboré avec les écrivains Gilles Deleuze, Norman Spinrad, Maurice Dantec.
La musique de Richard Pinhas et Heldon a toujours été indépendante et innovatrice et reste une grande influence dans le monde du rock électronique, comme en témoigne sa récente collaboration avec Étienne Jaumet (Zombie Zombie ).